General The $120 (£47.24) Uno 45 - updated for Aug 08-Jan 09...!

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General The $120 (£47.24) Uno 45 - updated for Aug 08-Jan 09...!

RIGHT - it's two weeks since updates, so here's a catch-up!

FRIDAY 8TH AUGUST

I finished the renovation of a Punto 90: a three-day job after my monthly writing task finished by the 3rd, so that's all the money earned for the month! That means work could resume on the Uno.

Unfortunately a 'friend' (one of those visitors who tends to bounce off the walls with excitement) decided to 'test' the Uno windscreen by punching it a few times: the star crack (pictured) grew... which obliged me to replace the windscreen. I had a spare from a Mk2, so needed the Mk2 windscreen rubber (Mk2 glass is thinner than Mk1) - a trip to Auckland and $50 procured an as-new windscreen, tinted, which is now a spare for my Turbo (as that already has a Mk2 screen fitted).

Preparing the windscreen frame was pretty easy - there was a very small rust spot where the drain hole would be in an earlier model, so I cleared all the rust away to make a nice round hole and painted it with POR-15 moisture-cure paint. I decided to remove the PVC tape fitted at the factory, as it was brittle. I think the purpose was to seal the spot-welded seam - so I used some neutral cure silicone sealant to achieve the same effect. (picture)

The windscreen rubber took hours of cleaning - basically soaking overnight in laundry-detergent solution, then scrubbing with Scotchbrite, soaking and scrubbing again - to get rid of all the powdery blackness.

During the Olympics opening ceremony, which began around 11PM our time, I fitted the previously-spare non-tinted windscreen. Photos show how I used heavy-gauge electrical wire (red), placed within the seal lip, with the seal fitted to the glass and then sprayed with silicone spray (action shot there).

The job went completely according to plan - I overlapped the wire ends at the base of the windscreen, and with the dashboard removed it was easy to get the base in properly, then pull the wires evenly up both pillars, wrapping the wires around my hands to get the two top corners and eventually the top edge - piece of cake - no need for another person pushing on the outside... done in minutes.

-Alex
 

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Wow Alex! How the hell have i missed this? :eek:
Bloody good work :p
Wish i had the time and dedication you have, oh and the skills would help too :p

Such a transformation (y)
Keep it up matey :D
 
SUNDAY 10TH AUGUST

I returned to that horrible, perpetual task of wet-sanding the front doors ready for painting. 800-grit sandpaper - and where sanded-through, etch-primer and primer-filler both from aerosol cans to save mixing tiny quantities of primer and cleaning the gun, etc. You really don't want to see photos of panels being wet-sanded, as it's not as exciting as watching the paint dry later, I promise.

James meanwhile got on with the fun job of improvising some sound-deadening to replace the original - the green felt was wet and after months outdoors is now squashed to paper-thin - we weren't going to reuse it, as the black bitumen layer was brittle. Oddly the bulkhead soundproofing is better-quality and stays supple - the footwell soundproofing is usually shot.

The bitumen squares stuck to the floor were also brittle, and in danger of trapping water, so James started by chipping off the loose bits. (picture) Any remaining cracks were 'sealed' with spray-on bitumen underseal.

A large amount (two 1L tins) of underseal 'gunk' were then ladelled on, in order to fill the swages in the floor - most of the drainholes were left open just in case. (picture)

Several surplus carpet mats - which James had harvested from various spares over the years - became the next layer, glued in place by the underseal.

Finally, to add a little more softness, a folded layer of 'mover's blanket' (soft material similar to the green original felt) went in on top. Usually, the idea of soundproofing is to make a sandwich with the soft material in the centre, and a harder, constraining layer on top. Obviously this isn't quite the case here - it's more a bonded soft layer with another soft layer to absorb sound from within the car - so it will be interesting indeed to see how it works out. The thickness is about right, as the original base-model 'carpet' (furry plastic) went in easily. (picture)

The Uno looks strangely spacious with the carpet, and boot floor carpet, in place - the boot floor carpet is from a 70, which oddly enough matches the floor carpet of the 45. The plastic mat of the 45's boot floor was too wrinkled to bother with. James made a tight-fitting boot floor out of 6mm MDF so that the carpet sits flat - better than in any standard Uno!

We could have upgraded the main carpet, but the rest of the trim is still base-model as well, and we'd rather spend the money on other materials.

-Alex
 

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Wow Alex! How the hell have i missed this? :eek:
Bloody good work :p

Hey, thanks :)
Haven't seen you round here much lately!

A reply in the middle of my updates - that's timing!
Almost all the boring work now done: the putting-together is the fun part so future updates will be more interesting and the before-after conclusion should only be another week away...

Also - 'skills' are something you can always learn and figure out as you go - I hope that by describing our process, people will see that it's more about the time than the skills - my posts are really long but they do summarise whole day's work... ;)

There will always be others with better skills - I doubt that antsuno2 ever gets paint runs or orange peel, and I also doubt that thepottleflump ever distorts whole panels while welding edges - the key is to work around what you have and do the best that you can...

Cheers,
-Alex
 
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nice idea with the mdf boot floor, i plan on doing that when i finish the bodywork :)

I haven't been posting that much lately been busy out and about lol

Gav
 
WEDNESDAY 13TH AUGUST

Monday and Tuesday were filled with crisis emails and other unpaid techie problems. Meanwhile in memory of my late mother's birthday, I intended to take a holiday to the snow for the 13th as we used to do, but the weather was awful, so it was back to the Uno project instead (I've since booked a holiday for 8th-14th September).

Strangely enough, I opened up the garage and those front doors were still there, and STILL needed wet-sanding... ! By now the excitement is just so high, I had to take some photos for you. The patchy black spraypaint is a guide coat - it shows how much of the yellow primer must be removed. The yellow primer was, itself, a guide coat for the white primer...

...as the yellow is sanded away, slight undulations/ridges or 'orange peel' (paint texture) remain in yellow against the white primer, meaning that more sanding is required (picture). It is essential to use a block, as the white primer is relatively thick (three coats), so finger-grooves would be readily apparent once the colour coats go on. Happily, the last of the door-ridge dimples come out at this stage.

The real difficulty was at the bottom edge of the doors, where welding and repairs had led to much filling and sanding. Of course it would be nice to have the bottom edge dead straight. Also, it would be nice not to have any 80-grit sanding scratches (especially from the belt-sander belt edge). Finally, it would be nice for the fold line to be at a consistent angle. If I had to rate these particular doors, I'd say about an 8/10. If we had welded in a new outer skin, things would be worse. If we had beaten the bottom edge flatter before filling, and perhaps hand-sanded only, maybe a 9/10.

On the positive side, an Uno door is a fairly easy panel to repair and sand - because it's three flat surfaces and two ridges. You could do a lot worse with concave panels and rounded edges...

Finally then, the paint goes on. There's some dust contamination, but with three thick coats, I'm confident the paint will sand/buff out later. The bit that didn't go so well was that I quickly prepped the door inside edges (with help from James) and then attempted to paint the insides with the door sitting on a stand. That meant painting upside-down - and that didn't go well...

Painting the top surface is simplicity itself - again, the flat shape and straight lines make the job easy. I'd say if you're respraying for the first time, start with the doors. I set up a floodlight fairly low-set, so that I can see the paint mist going on across the full width in each stroke (it was just too hard to take a photo of this without upsetting the spraying!) Basically, you need a nice 'wet edge' that you follow all the way up the panel, each pass overlapping by the right amount so that the thickness is consistent, and bands not visible. I've found that my new spraygun makes it much easier to get the overlap right, because the spray pattern thins nicely towards the edges.

The last photo shows that things are still far from perfect - wavy reflections suggest the panel's not very flat - more time should have been spent with the long sanding board - but at least this vertical surface is quite low-down on the car ;)

-Alex
 

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FRIDAY 15TH - THE PAINTING CONCLUDES!

I'm delighted to report that the rear doors are painted - so that's it, all parts are painted now (including a couple of small touchups to the shell). At last! Only three days behind the schedule that I hoped for - next week will be the putting-together; plus special 'improvements'.

Pictures show:
1., 2., and 3. - The final batch of paint being mixed for spraying - the zig-zag stick is easy when you know how

4. Degreasing the panels for the umpteenth time (note gorgeous weather and yellow Uno outside with flat battery and dead alternator)

5. Thin, light first coat - best for adhesion

6. The permeability of aerosol primer (the patchy area in the topcoat compared with the proper primer nearby) - this must be allowed for with extra topcoats. Over time, the aerosol primer may shrink and give a similar patchy appearance all over again. That's why you use proper primer.


I think now might be an appropriate time for me to summarise what I've learned/evolved as painting technique, just in case anyone's contemplating similar painting jobs but running into the difficulties I'd had in the past (feel free to skip the rest of this post and just look at the pictures ;)

EDIT NOTE: Grammar is a bit inconsistent with you/I, please treat the 'you' as figurative and not necessarily as a direct instuction! :)

I've found that consistent results start with consistent paint mixing. I used to wonder why sometimes everything went well, and other times I would get runs/sags and orange peel everywhere ('sags' are basically large, wide paint runs). One cause of these problems is when the paint is too thin. I used to mix the paint in the spraygun container, pouring in the paint, then about half the depth as hardener, and a slosh of thinners in the way a chef makes a sauce. On antsuno2's advice (https://www.fiatforum.com/uno/145226-120-47-24-uno-45-a-2.html?p=1591329), I bought a mixing stick and a mixing jug. The first three pics show how this works.

There are numbered lines 1, 2, 3... You decide how much paint you need to mix - let's say you need enough for two doors plus the insides, and experience has shown that's a '3'. So, into the mixing cup (which has parallel sides), you pour paint up to the bottom line marked '3'. (picture)

Then, you add hardener to the next line up the zig-zag, also marked '3'. (picture)

Finally, you add thinners (reducer) to the first section up the next zig-zag - the three sections represent 10%, 20%, and 30%. The paint data sheet suggests either no thinners, or 10%. Using no thinners would reduce the chance of paint runs, but it would also reduce the 'flow-out' of the paint (a characteristic of enamels) and so there would be a greater chance of orange peel. I find that at 10% the paint covers well and flows-out very well.

The mixing stick doubles as a stirrer, and is easy to wipe clean. I wear latex gloves and use lots of paper towels to clean up any spills.

While the paint 'activates' (another piece of antsuno2 advice: that guy is a real painter so I listen ;)) I spend my time degreasing the panels (picture). I use a clean cotton teatowel for this, and PPG's panel degreaser. Usually I still have the gloves on - the solvents are hard on your skin. You can never do too much degreasing! Something I've found is that air-powered sanders tend to cause problems because they blow out air that has an oil mist - even though the primer may have gone on nicely, somehow the oil persists and wrecks havoc with the topcoat in ways that I'd never had before. I've found that wet-sanding with strongly-soapy water helps.

Next I have a little play with the spraygun, spraying various bits of nearby cardboard etc. just to check the spray pattern is what I expect - an oval. If the air pressure is too low, the oval will be a wide circle, the paint in the middle will be thick, and the edges will 'spatter'. If the air pressure is too high, there will be a lot more paint mist in the air around the spraying. About 30psi seems to give the finest spray pattern for my gravity-fed gun (with the old suction-type gun, it was about 50psi). I still paint with quite a small fan size, about half of what my new gun can do, mainly because I'm used to working with just a few inches of paint band at a time.

The very first part to spray is all the edges and holes/openings - go right around the panel (this also helps to verify that the air hose will not drag across the panel later as you move around). To reduce the spray pattern size, turn the fan size (top knob) in clockwise. Also reduce the pressure - either with the knob near the inlet, or on the regulator, or the pros simply kink the hose...! The aim is to cover all the edges while you can see them - nothing as annoying as a missed edge later (somehow, I still manage it from time to time). It doesn't matter if you overspray a little onto the main surface, as the proper heavy coats will 'melt' onto this overspray. But you don't want to be spraying edges later, because the light overspray may not melt into the proper coats.

The first proper coat on the main surface should be fairly thin - fan size back up but reduced needle opening (lower screw) so that less paint gets on the panel, or I pull the trigger less. I find that a thin first coat reduces the risk of 'fish eyes'. The latter are the little craters where impurities (the oil, silicones, etc.) interfere with the paint film - even after all the degreasing...

15 minutes later in cold weather (10 minutes if about 20-degrees C) it's time for a second coat. This can be fairly thick but you have to be mindful of runs and sags on surfaces that are not horizontal. It's REALLY important that the full 10-15 minutes elapses (the 'flash-off time' quoted on the data sheet), otherwise, expect massive runs/sags as the paint film won't support the extra coat.

Again the paint spray must be in even, overlapped bands. It's normal for orange peel to appear during spraying, but if the thickness is consistent, this will disappear. If not, resist the temptation to immediately spray more onto the orange-peel areas - this will give runs/sags.

1.5-2 coats is all that the paint data sheet calls for (for my paint), but I put on a third coat anyway, because I paint in a less-than-ideal environment with dust and the odd water spot (!), so I want to be able to buff-out (sand and polish) the paint later. This especially applies to dark colours. Light colours do not show contamination as easily, so you may elect to stop after the second coat.

DEALING WITH DISASTER...

Three things I've found very useful:
- tack cloth
This is an open-weave, slightly-sticky cloth that is a bit of a fumble to get out of its plastic wrapper in the heat of the moment (ummm, plastic wrapper, not foil wrapper) - what you do is very lightly scrub the folded cloth across the degreased surface, and any remaining dust particles disappear. You can even do this between coats, if the flash-off time has properly elapsed.

- fine-point, high-quality tweezers
Bits of dust settle in the paint, no matter how hard you try (I close the garage door during the flash-off time, which helps a bit). The larger chunks of debris, plus hairs and threads from woolly jumpers etc., can be removed with tweezers. I do this before I apply the next heavy coat (of paint, I mean). I don't bother after the last coat, because with my shaky hands the tweezers are likely to make more of a mess than they avoid...

- paper towels and heat gun
Imagine that you have a big paint run before the final coat. After swearing, what do you do? You know that sanding the run out later will be hell, firstly because the run takes a long time to harden, and secondly because the paint around the run ends up too thin after the sanding.

So here's what to do. Use the edge of a paper towel to suck-up the excess paint! Start at the end of the run and work towards the beginning. Note that even after two flashed-off coats, the paint may clean off all the way down to the primer (because the excess paint melted the previous coats) - but don't worry. Just get the area fairly smooth. Then, blast it with a heat gun... I find this helps to flatten the paint - the heat, rather than hardening the paint, seems to thin it out so it flows! Then, lightly spot-paint the affected area to cover any primer and build a little more smoothness, wait 5-10 minutes, and apply the final coat over the whole panel. Provided the final coat is even, there should be no further runs - and the original run miraculously disappears...

I wish I could supply some photos (I did this twice today) but I was just too angry to go and get the camera :eek: - plus, you have to work pretty quickly to catch the run before it spreads too far. I was very relieved at the result though!

Another possible disaster - water spots. In my case, water dripped from my face mask while I was fixing the run above (one problem became two...) Again, a paper towel soaks up the water (which will stay as a blob on the surface) - then dry with a heat gun. There may be a slight ring visible - this will either polish out, or a subsequent coat of paint will hide it.

Water also tends to blow in with the wind - because it's raining here, every day for weeks - plus, water drips off the air hose (picks up water from the ground). It would be a lot easier to paint on a dry summer's day - provided there wasn't much dust around, and no flies... Perhaps the autumn is the best time to paint?

-Alex
 

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I also doubt that thepottleflump ever distorts whole panels while welding edges - the key is to work around what you have and do the best that you can...

Thank you for saying that, but just like you I do the best I can. I've long since given up aiming for perfection when working on my Strada. It would never be finished! The painting is looking good, what are you going to do with the car when it's finished. Will it be daily transport for James?

FRIDAY 15TH - THE PAINTING CONCLUDES!
DEALING WITH DISASTER...

Three things I've found very useful:
- tack cloth
This is an open-weave, slightly-sticky cloth that is a bit of a fumble to get out of its plastic wrapper in the heat of the moment (ummm, plastic wrapper, not foil wrapper) - what you do is very lightly scrub the folded cloth across the degreased surface, and any remaining dust particles disappear. You can even do this between coats, if the flash-off time has properly elapsed.

- fine-point, high-quality tweezers
Bits of dust settle in the paint, no matter how hard you try (I close the garage door during the flash-off time, which helps a bit). The larger chunks of debris, plus hairs and threads from woolly jumpers etc., can be removed with tweezers. I do this before I apply the next heavy coat (of paint, I mean). I don't bother after the last coat, because with my shaky hands the tweezers are likely to make more of a mess than they avoid...

- paper towels and heat gun
Imagine that you have a big paint run before the final coat. After swearing, what do you do? You know that sanding the run out later will be hell, firstly because the run takes a long time to harden, and secondly because the paint around the run ends up too thin after the sanding.

So here's what to do. Use the edge of a paper towel to suck-up the excess paint! Start at the end of the run and work towards the beginning. Note that even after two flashed-off coats, the paint may clean off all the way down to the primer (because the excess paint melted the previous coats) - but don't worry. Just get the area fairly smooth. Then, blast it with a heat gun... I find this helps to flatten the paint - the heat, rather than hardening the paint, seems to thin it out so it flows! Then, lightly spot-paint the affected area to cover any primer and build a little more smoothness, wait 5-10 minutes, and apply the final coat over the whole panel. Provided the final coat is even, there should be no further runs - and the original run miraculously disappears...

I wish I could supply some photos (I did this twice today) but I was just too angry to go and get the camera :eek: - plus, you have to work pretty quickly to catch the run before it spreads too far. I was very relieved at the result though!

Another possible disaster - water spots. In my case, water dripped from my face mask while I was fixing the run above (one problem became two...) Again, a paper towel soaks up the water (which will stay as a blob on the surface) - then dry with a heat gun. There may be a slight ring visible - this will either polish out, or a subsequent coat of paint will hide it.

Water also tends to blow in with the wind - because it's raining here, every day for weeks - plus, water drips off the air hose (picks up water from the ground). It would be a lot easier to paint on a dry summer's day - provided there wasn't much dust around, and no flies... Perhaps the autumn is the best time to paint?

-Alex

Cheers for the tips. I've recently started doing a bit of painting on my Strada, must try the heat gun technique, I managed to get a few sags in the paint. I also want an HVLP, the overspray was quite high on my normal gun. When painting to avoid getting dust and stuff on the paint, I wet the entire garage down then took all my cloths off and painted nude to avoid bits of jumper falling onto the paint. Actually thats a fib although I have heard of people stripping off and painting in their shorts. With 2k paint I'd think it's a bad idea through.

Looking forward to the next installment.
 
i've spend the last hour reading all this thread..


What a nice job you've been doing here with the 45.. I see uno turbos in such a bad shape, and you're killing the rust of his 45 so perfectly..


Nice job, really! :slayer:
 
Yes - about the welding, what I was meaning was in response to unonumero saying "I wish I had the skills", the fact is that we all have slightly different skills and we should use what we have, even though it may not be as good as someone else's. My welding is nowhere near your standard (and my painting not up to antsuno2's standard) but I don't let that stop me, though it encourages me to try a bit harder ;)

The painting is looking good, what are you going to do with the car when it's finished. Will it be daily transport for James?

Yes.
I shall get to drive it for a few days, just to visit some friends of mine around the place, mainly to ensure everything's AOK and to show it off :p Then it passes to James (hopefully next week) - I expect to see it regularly - and we expect it will give reliable, economical, and comfortable daily service, more so than his Uno race-car has.

Cheers for the tips. I've recently started doing a bit of painting on my Strada, must try the heat gun technique, I managed to get a few sags in the paint. I also want an HVLP, the overspray was quite high on my normal gun.

Yes, absorbing excess paint with a paper towel worked better than I expected, and 'melting' paint with a heat gun was a surprise (you can accelerate drips too, which is useful on edges).

If you do have to sand out dried runs/sags, use the coarsest grit sandpaper that you can (on a block of course), e.g. about 400 grit (wet) should do, since finer grit sandpaper tends to 'follow' the contour rather than flatten it. I found this out the hard way when I used 1500 grit to sand out runs and although it seemed to work, when polished-up I realised that it hadn't.

My Devilbiss 'Trans Tech' gun is somewhere between conventional and HVLP.

When painting to avoid getting dust and stuff on the paint, I wet the entire garage down then took all my cloths off and painted nude to avoid bits of jumper falling onto the paint.

:D
Might take some explaining to the neighbours, Jehovah's witnesses, etc. (I paint either with garage open, or outside).

Actually thats a fib although I have heard of people stripping off and painting in their shorts. With 2k paint I'd think it's a bad idea through.

Ha - yeah, being the solitary exhibitionist that I am, I would paint in my shiny boxer shorts (and take a few pics for the girls) but it's about 10 degrees here so, err, no. :eek:

I probably should have said earlier that 2K paint, like I'm using, requires a full-face, pressure-fed respirator - which I don't have. The paint I use (DeBeer) appears to have less diisocyanate than the big-brand products (and therefore hardens very slowly). I use a 3M mask with the charcoal filters, which fits well and does an excellent job of removing organic vapours - when I take the mask off, I notice the smell of paint from a long way away. Also, the mask pre-filters absorb a lot of paint colour yet are clean on the inside, so that's paint that I would have breathed in otherwise. Apparently, a charcoal mask doesn't remove isocyanates but the jury is out on that one. Given how well it removes even the smell of paint, I would think that it does block the vapour that carries the isocyanates.

By having the area 'open' (or painting outside), I reduce the concentration of paint vapours greatly (at the expense of temperature and dust control). I have seen people painting indoors without using any mask at all and somehow they're still alive (both were smokers too, perhaps that helps, I couldn't believe it when one lit up minutes after spraying a whole Porsche 911 with paint, as he admired his handiwork). My approach is obviously ten times better than that, but still not perfect. If I was doing this for an employer, I would want something better, but otherwise, it's a managed risk. We're all going to die, after all. :(

I have some white coveralls that I have worn in the past, along with swimming goggles (apparently, the isocyanates get in through your eyes). But I've misplaced both of these.

In the meantime I don't notice any ill effects, I'm happy to report.

Meanwhile I heard recently from a friend who visited the FIAT factory at Mirafiori in the 80s. He told me how the paint area was fully-ventilated from floor and ceiling grilles - and the sprayguns were hooked up to pressure-pot systems. The operators that were spraying the cars did not wear masks. Between each car, the paint colour would change, but the guns were never cleaned - instead, the colour tank was changed over, the gun sprayed at the floor for a few seconds, and then painting continued. Incredible! I thought that all spraying would be robotic and imagined that they would paint a batch of cars the same colour, rather than changing the colour between every car. Anyway, sorry this is a bit off-topic but I didn't realise that even in the 80s, FIATs were painted by actual human beings.

Cheers,
-Alex
 
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i've spend the last hour reading all this thread..


What a nice job you've been doing here with the 45.. I see uno turbos in such a bad shape, and you're killing the rust of his 45 so perfectly..


Nice job, really! :slayer:

Thank you :hug:
One hour is a lot of your time to give up! Hope you feel inspired ;) Let me know if you have your own story for me to read in return! (y)

There wasn't much rust (we've seen worse) but we've both decided that we wanted a nice thorough job of dent removals and a clean, 'inoffensive' appearance for James' daily-driver - nothing outlandish or controversial.

In the background of various photos you'll see the cars that I drive... none of them requires much work to 'finish' (Punto needs the gearbox off, Uno Turbo needs a couple of small paint touchups, 164 needs most of the front-end resprayed due to age plus the engine has oil leaks), yet I haven't been motivated to work on those since they're all still usable.

Instead I have a strange attraction to the basic Uno 45, I think it's just the satisfaction of the makeover that keeps me going (as I said, it's about having a vision of the finished product).

Not much longer now - this week I expect to finish.

-Alex
 
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Thank you :hug:
One hour is a lot of your time to give up! Hope you feel inspired (y)

Sure I get inspiration from the job in that uno.

There wasn't much rust (we've seen worse) but we've both decided that we wanted a nice thorough job of dent removals and a clean, 'inoffensive' appearance for James' daily-driver - nothing outlandish or controversial.


-Alex


I'm a Fiat 600 owner too... I'm in the fourth at the moment, if you really like rust, you just have to buy one 600 :slayer:

My uno floorpan was much rusty than yours:(
 
This is such an interesting post, and extremely usefull for technique. It's almost like a manual it's so detailed. :)
Looking forward to seeing the final car!!!
 
Finally,finished reading this thread...whew

Just like what Ralpnz said..its like a How to Guide for building
an Uno.(y)
can't wait for the end result.:worship:

Congrats AlexGS!!!
 
Congratulations.
I deem this thread "awesome in it's entirety"!

Here, have a jammie dodger:
16533058_m.jpg


Your workmanship and dedication to the cause is highly commendable sir.

/hatsofftoyou

:)
 
Congratulations.
I deem this thread "awesome in it's entirety"!

Here, have a jammie dodger:


Oooooh - thank you! :)
I'm going to have to look up what that is, it looks like a Shrewsbury biscuit!

The last few days have been full-on and the Uno is almost ready to drive (today I fitted the exhaust). I'm about to fit door handles and windows, then tomorrow the dashboard (suitably modified) as I've now finished the custom wiring for various extra bits. The central locking is there and working, the stereo already has two working rear speakers - the fronts need mounting properly - I'm going to make MDF baffles for the doors.

The brown seats from the car were stuffed (the back seat was mouldy!) so I'm putting in a good-condition set of blue seats and covering them with brown seat covers. The back seat's now in place - with the seat covers - you might be wondering how such a thing could possibly be an hour or two's work: I decided to glue the covers in place and tuck in at the same edges as the standard material. I shall be doing the same for the front seats. After all, we hate seat covers that move around, don't we... and also, the standard seat material of the base-model Uno 45 is, err, "pants". Even cheap seat covers look pretty spiffing in comparison :eek:

Who would EVER choose brown as the colour... well, look at it this way, it's more interesting than conservative-grey, and more practical than black... ;) I'm actually quite liking the brown interior now (of course, I like the interior of my Turbo, but this is something a bit different).

After all, Uno brown is not the sickly yellow-tan brown that happened in the 70s!

I've taken lots of photos but will keep it brief - we're heading for the conclusion! - in the meantime, I'd better get back to it (y)

Thanks again for the support! :)

-Alex
 
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Jammie Dodgers are a splodge of strawberry ... um... jam-like gloop.. sandwiched between two shortbread biscuits

:D


YUM!
 
What happened to this? Did it get stolen, written off or something? It must be on the road by now?:yum:
 
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